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UNC, Library of Congress launch summer music fellowships Three graduate students in musicology at the University of North Carolina at Chapel Hill will research the music of composer Samuel Barber during World War II, the National Negro Opera Company and the 1975 musical “Chicago” with new summer fellowships at the Library of Congress in Washington, D.C.
Musicologist and anthropologist awarded summer NEH fellowships Music professor Annegret Fauser and anthropology professor Lorraine Aragon in UNC’s College of Arts and Sciences have been awarded $6,000 fellowships from the National Endowment for the Humanities (NEH) for the summer of 2008.
Announcing the 2008 Kenan Music Scholars! Three instrumentalists and a vocalist have been named the second class of Kenan Music Scholars, receiving full scholarships in music to attend the University of North Carolina at Chapel Hill.
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UNC Music Welcomes Stefan Litwin

by Glenn McDonald last modified 2008-01-30 11:20

The UNC Department of Music is delighted to welcome Stefan Litwin as George Kennedy Distinguished Professor of Music. He is a renowned concert pianist, and is also highly active as a composer and as a musicologist. His 1998 recording of Jean Barraqué’s ferociously difficult Piano Sonata won the French Grand Prix du Disque, and he has been the recipient of prestigious fellowships at the Wissenschaftskolleg in Berlin and Christ College, Cambridge.

He performs widely across Europe and the U.S. as a solo artist, in chamber music, and with leading orchestras, in a repertory ranging from Beethoven through to the avant garde. In addition to championing new music, he has produced pioneering recordings of modernist European and American works of the first half of the twentieth century by Schoenberg, Berg, Debussy, and Janáček, as well as Charles Ives and Henry Cowell. He has obtained international success with his interpretations of the music of Bach, Beethoven and Schubert, and he is currently recording the complete Beethoven sonatas.

His compositions include Sonata y destrucciones (Neruda) (1998); Lyon 1943 (Pièce de résistance) (1999); Rein oder unrein? (Satire) (2001); Thoreau’s Nightmare (2003); Allende, 11 September 1973 (2004); and The Bells (Poe) (2006). He has also published important essays on Schoenberg (including the Ode to Napoleon) and Beethoven’s Hammerklavier sonata.

We are fortunate indeed to be joined by so versatile a performer, composer, and scholar with such boundless energy and artistic vision. Exciting things lie in store.

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